In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. This is similar to the way musical forms like the suite, symphony or concerto shape their overall contour or identity. 16th Century Dance Forms The increasingly diverse repertory of dances in the 16th century is reflected in the large variety of dance compositions in the collections of lute, keyboard, and ensemble music of the time. CONTRAPUNTAL FORMS: Situation, Dance by Chance, Canon (Round), Ground Bass and Fugue. 1. What is the best way to categorize the forms of dance? As a compositional technique, counterpoint is found in many musical styles including Medieval music, gamelan, [not verified in body] and the music of West Africa. Musical Forms From the Baroque Period . This contrapuntal dance is composed of fixed movement material with some instances of structured improvisation. While there is no set terminology, members of the company most often refer to the different segments of fixed movement as themes. In part 1, I wrote about parallel polyphony. In part 2, I wrote about drone polyphony. This is also referred to as “free polyphony”. CONTRAPUNTAL FORMS A. Aside from the opera, composers also wrote numerous sonatas, concerto grosso, and choral works. CHOREOGRAPHIC FORMS SEQUENTIAL FORMS: Narrative, Simple Binary form (AB), Tenery Form (ABA), Theme and Variation, Rondu (ABACA), Non-Specified Sequential Form. After the exposition the composer alternates between episodes and subject presentations. Where did ballet, as a theatre art, really start and develop? CHOREOGRAPHIC FORMS IN DANCE 65. Making Dance The Choreographer's Toolbox Form & Structure . The form of a dance determines the way it is organized. contrapuntal polyphony. Forms: The Fugue. In music theory, contrapuntal music appears in many forms. A fugue begins with an exposition. a. ethnic, ballet, modern, jazz b. street, folk, theatre c. social/recreational, theatre d. a. Italy b. France c. Russia d. United States 2. Ground bass II.Round or Canon III.Fugue or Accumulation IV.Suite 68. In part 3, I wrote about canonic polyphony. CHOREOGRAPHIC FORMS IN DANCE I. Sequential II.Contrapuntal III.Episodic IV.Other compositional forms 66. 1. Ground Bass – single theme starts the dance and is repeated all the way through the dance while other contracting themes are simultaneously performed with it. CONTRAPUNTAL FORMS I. B. SEQUENTIAL FORMS I. AB (two-part) form II.ABA (three-part) form III.Rondo Form (ABACA) IV.Themes and variations form 67. The Exposition. Form . When they do, it can take many different forms. Each fugue has its own structure that changes according to the composers invention and needs. The 25 main themes are repeated and recombined over the course of the dance in their full and partial forms. 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